Category Archives: Model Railroad

Friday Fun

A little more fun with Photoshop…

 

Failure

In any endeavor, sometimes trying new and different things leads to a dead end. Model railroading has its own pitfalls in that regard. To wit:

I recently started a project to scratchbuild at least 6 flat cars for the model S&NY, the reasons being 4 fold: The Barclay Chemical plant in Laquin needed more dedicated traffic coming in, in the form of hardwood loads, in order to give a local train a bit more to do during an op session; it would help fulfill the requirements towards the NMRA Achievement Program “Master Builder-Cars” certificate; it would help build my skills before taking on more complex projects; and it might be “fun”. The “fun” part is entirely subjective as we shall see…

Anyway, I wanted to build several cars using these S&NY examples as a basis:

Bradley-Hahn Collection, RRMPA

Bill Caloroso – Cal’s Classics

The basic flat car could also serve as a foundation for the S&NY flanger:

Bill Caloroso – Cal’s Classics

Also a crane-flat:

Bill Caloroso – Cal’s Classics

And also the gondolas seen in the background in this photo, and in the one prior:

Bill Caloroso – Cal’s Classics

Mr. Dave Vinci wrote an excellent article on scratchbuilding a PRR class Fk flatcar for “The Keystone Modeler No. 42 January 2007”, and the article is available here: Scratchbuilding a Class Fk Flat Car . I figured I would follow his techniques, but using dimensions from a PRR class Fh car instead. The Fh was shorter than the Fk, (36’5″ vs. 38’4″) and used archbar trucks with a 5’0″ wheelbase, rather than 5’6″ trucks on the Fk. I had half a dozen Tahoe Model Works trucks with the shorter wheelbase, and desired to use these as I think they give a really older feel, visually, than the “standard” archbars.

Mr. Vinci described the difficulty in adding adequate weight to the model in order to bring the weight up to NMRA standards, which should be about 3-1/2 oz. total. The article shows how to use lead shot in the underbody voids to accomplish this, but the weight still comes up short.

I had hoped to add more weight to my cars by laminating lead sheet into the flatcar deck during assembly. I had some 1/32″ lead sheet on hand, and smugly set about building the flat car deck. I had to tweak the dimensions of the end beams and side members a bit, but it looked like it might just work. I used contact cement to glue the lead to a piece of 0.040″ styrene, and used a small wooden roller to ensure even contact. Started to work on the bolsters and underframe, and the coupler height looked like it would be dead-on. So far so good…

Except today when I went to work on the car…something…was…wrong…:


The deck was now all warpy and curved. What the…..?

I had built the deck during some hot and humid days when we had the house A/C on. Meanwhile, the weather cooled off and we turned off the A/C and kept the windows open. The basement warmed up a bit and the air got a touch more humid. Not sure if the lead sheet expanded a little relative to the styrene, or if there was air trapped between the plastic and lead that expanded, or if the glue continued to out-gas and caused some delamination and deformation of the plastic. Either way, the idea of using lead in the deck of the car was not going to work…

Thus, FAILURE!

Also, other issues arose at this point. The PRR Fh is 36’6″ long. The April 1940 ORER lists the S&NY flats as being 38’1″ long. Uh oh.

Further review of some of the photos shows what looks like hoppers underneath some of the cars. Could some of these “flatcars” actually be old cut-down drop-bottom gondolas? I really would prefer not to have to scratchbuild underbody hoppers for 6 or more cars. Double uh-oh…

Well then…What to do, what to do?

After a bit of soul-searching and creative use of profanity, I’ve decided to press ahead using the PRR Fh and Mr. Vinci’s article as a guide. I have no dimensions or more-detailed photos of the S&NY cars to work from anyway, especially the undersides. I’ll construct them to mimic the S&NY flats in appearance as much as possible (and practical!). I’ll lose some conformance points for the NMRA AP certificate, but that is a secondary issue. The ultimate goal is an operational model railroad based on the S&NY, and a few compromises will always be necessary to achieve that.

I’ve already built a new flatcar deck without lead this time, and so far no warping. I’ll update as I can!

Fun with Photoshop

Westbound Train 23 slows for orders at Wheelerville, 6/29/39.

Book Review: “Model Railroading as Art” by Lance Mindheim

 

Wikipedia: Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author’s imaginative, conceptual ideas, or technical skill, intended to be appreciated for their beauty or emotional power.

A friend of mine has the opportunity to visit a lot of layouts, and one N-scale club layout he visited is located in the midst of an artist’s colony of sorts. Interestingly, after public open-houses, the artists usually congregate at the N-scale layout. Why? In their view, the layout is art:

  • It is multi-media.
  • It is 3-dimensional.
  • It is kinetic.
  • It evokes memories and thought.

In my view, the artistic side of model railroading has generally gotten short shrift. In large part, this is likely due to the origins of the hobby being rooted in technical craftsmanship, rather than artistic vision. Also, the hobby tends to attract more left-brain personality types, who in turn prefer more technical/analytical topics that lend themselves to tidy articles in the hobby press.

However, with the increasing numbers of highly-detailed ready-to-run rolling stock on the market (How much detail does a boxcar model need, really?), the incredible extent and variety of scenic materials available, and the creative ferment provided by social media like YouTube, I think the hobby is headed for a major sea-change in direction and outlook towards the artistic becoming co-equal with the technical. Witness the beautiful weathered cars on The Weathering Shop’s webpage, for just one of many examples now “out there”. (www.theweatheringshop.com) The cars shown there are amazing in both the artistic AND technical sense.

Lance Mindheim’s new book, “Model Railroading as Art”, is part of the vanguard of this potential coming change. Mr. Mindheim is already a pioneer in designing small, room-sized, almost minimalist artistic layouts. He also has developed many revolutionary modeling techniques, such as building structures using photographs laminated to basic shells.

“Model Railroading as Art” is ground-breaking in a number of ways, and perversely I think the average model railroader will thereby be disappointed by it for the following reasons:

  • It is not a book filled with pretty pictures of model railroads, a la Kalmbach’s “Great Model Railroads”, though the production values (including the photos) are very good.
  • It is not really a “how-to” book with step-by-step guides on scenery, model photography, or any other technical model railroading subject, though there are many how-to-do-it sidebars throughout.
  • It is not a book trying to sell product, I.E. “Cool scene! Where can I buy that kit?” In fact, the author decries the “more is better” approach to model railroading, and continually emphasizes the use of “negative space” when designing model scenes. I doubt an author telling people NOT to buy so much stuff will find popularity in the mainstream model press, who of course must answer to advertisers, who want to sell MORE stuff.

However, I believe anyone striving to create something more than an “average model railroad” will find it extremely useful.

The book is:

  • A guide to scene composition when placing structures and other scenic elements.
  • A primer on the use of negative space when composing scenes.
  • A guide to the use of light, shadows, and color and how those relate to scene composition.
  • A guide to the selective use of details within model railroad scenes.

In short, Mindheim’s book is a distillation of many concepts of what constitutes “art”, into a format applicable to model railroading. I think it would be especially valuable when planning a new layout, or even a smaller module, and thus I believe it deserves a place in any model railroader’s reference library, right alongside more technically oriented books on track planning, wiring, DCC, etc.

Trains Run Again

After 18 months, trains run once again on the model S&NY. It has been a mad scramble over the past 6-8 weeks getting projects wrapped up and the basement cleaned in preparation for the Division 12 , MCR layout tour. As part of that, I held a shake-down op session this past Saturday, 03 November to stress-test the railroad prior to the open house. This also gave a couple of fellow Division members who will also have layouts open a chance to see the current level of progress on the S&NY. Only a few minor glitches were encountered, mostly due to dirty/tarnished wheels and pick-ups. The train-order boards also need a little tweaking due to the lash in the movement linkage. Other that that, the session ran fairly smoothly. Nothing forces progress like a deadline; and the best way to keep a model railroad running is to run the model railroad.

Bill S. and Rob B. check their orders before heading out with a coal extra.

 

Three-way meet at Marsh Hill. Jason G. looks on in amazement at the display of dispatching skill…

 

Extra 1906 East waits in the hole at Masten.

Wordless Wednesday #156

Train Order Signals

Before I can continue with the scenery project (which turned out to be much more than just scenery, but I digress…), I need to get the train order signals installed. Placement of working TO boards was on the to-do list, but that turned into a whole ‘nother project in itself. One of the hold-ups was authentic knobs and plates for a control panel of some sort.

Mike Burgett of Control Train Components (http://www.ctcparts.com) sells cast brass knobs mastered from real US&S CTC panel knobs. He also formerly stocked appropriate plates, but they were no longer available, but he offered to make me some if I was not in a hurry. I wasn’t, and good thing too! In any event, good things come to those who wait, and after about 10 months the parts arrived in the mail.

Anyway, I set about constructing a panel for the signals this past July. A centralized panel for train order boards is not really prototypical, as the signals would be controlled individually by the operators at each station, but in model railroading compromises must be made. I still wanted an analog way of controlling the boards, as using PanelPro or some other virtual computerized control method would not be conducive to the feeling of running a 1930’s-era railroad. I wanted something “tactile”, even if it wasn’t 100% correct.

Mockup

My carpentry skills are not the highest, and I thought about using thin aluminum or even steel for the panel front, but I figured that would delay the project even further. I used thin luan plywood instead. That was a mistake, as the luan I used was very splinter-y and not great to work with. I also found out the panel saws at Lowes don’t quite cut square. Oh well, press on…

Layout

The 3T-DP rotary switches I used were probably some sort of Commie East-bloc mil-surplus from All-Electronics (https://www.allelectronics.com), but luckily the 3 positions corresponded to the plates. I ground flats on the soft aluminum splined shafts and epoxied strip brass in the gap. The knobs from CTCParts were not splined and used a set-screw, and I wanted the knobs to be secure and not strip the soft aluminum. I also had to grind away part of the upper part of the frame of the switch assembly to clear the mounting screw and bolt for the plates.


I wired up the first set of knobs to a Tam Valley Dual 3-way servo controller board to make sure I had things connected properly. I had some confusion regarding the correct way to wire things up, not being electronically inclined, as the Tam Valley instructions did not include diagrams for a multi-pole switch and LED’s. A few emails quickly solved the problem, though, and my plan to use Cat-5 cable to each set of train-order signals was going to work after all.

136 separate solder connections later (yuck), the panel is ready for installation.

I gave the panel a couple of prime coats of Krylon gray auto primer with light sanding in-between, followed by a couple of top coats of Rustoleum Italian Olive. That color is a little too green compared with the standard US&S color, but the Rustoleum was fast, easy and “close enough”. I used laser-cut vinyl adhesive letters from Small Vinyl Lettering (http://smalllettering.com) that were applied in a way similar to dry-transfers. It was worth the 20 bucks or so for the letters to save the aggravation of individually-applied letters or decals. I then sealed the whole thing with Krylon matte clear coat.

Next, I affixed the Tam Valley boards to small sections of wood and pre-wired them to make installation under the layout easier. The Tomar train-order boards also had to be prepped with a coat of Dullcoat and by soldering the LED leads to a resistor and pigtails that would then connect to the controller voltage input leads from my 9 volt DC accessory bus.


The last step will be to run Cat-5 cable to each of the train order stations, and drill holes and mount the signal masts to the layout.

To be continued…

A station for Masten

Building a model railroad is a complex project, and like any similar project, one runs into “horseshoe nail” situations ( For want of a nail, the shoe was lost; for want of a shoe, the horse was lost; etc.).

In this case, in order to finish the on-going and interminable scenery project, I have to install working train-order signals at 4 places on the layout. In order to do that, I have to figure out where the station structures will be located so they don’t interfere with each other. In order to do THAT, I have to have at least a footprint of the stations.

So, as part of that concatenated process, I built a station for the Masten location on the layout.

I used a quicky snap-together kit from Atlas:

The kit is not bad; it is small enough to fit where I wanted it, it is board-and-batten and thus fits with the era and location of the S&NY, and has an interesting bay window. The down sides are the awful shingled roof, which does not really fit aesthetically; and the heavy appearance of the roof brackets, and window mullions and muntins. I found this kit for $8.95 on Ebay, so the price was right. Also, I didn’t feel like spending the time to scratchbuild a copy of the real Masten station at this point. However, I probably could have scratchbuilt a station in about the same amount of time in retrospect. As it turns out, constructing the basic building shell is relatively easy. Most of the construction time, whether kit-built or scratch-built, is on painting, details, weathering, and touch-up.

I did chisel off some cast-on anachronistic details that represented an electrical junction box and some sort of mail-slot thing. I also scratchbuilt a new roof from .040 styrene. The kit chimney was atrocious and looked like something from a bronze-age mud hut, so I replaced that with a white metal casting. Other added details include a waybill box, station name signs, Western Union sign, gutter and downspout, and roof-edge fascia boards. I glazed the windows with microscope cover glass glued on with canopy cement, and added shades cut from a manila folder. The signage was made using Photoshop, scaling larger signs to HO size, then printed at high resolution on a color inkjet printer. The paper signs were sealed with fixative, then mounted to .010 styrene with Scotch 77 spray adhesive.

I painted the building using craft paint from Michael’s heavily drybrushed over a dark gray prime coat to give a streaky weathered look. Trying to mask a straight tight line over the boards and battens without some sort of natural dividing line was a pain, but that’s how the S&NY painted some of their structures. The roof was scribed to mark out lines for tarpaper rolled roofing material, and I used matte Scotchtape to simulate the tarpaper material itself. (Scotchtape worked out ok as an experiment, but next time I’ll use a commercial paper product or masking tape.)

Weathering was a wash of turpenoid and Van Dyke brown oil paint followed by Dulllcoat. The wooden platform was primed dark gray, with individual boards highlighted with acrylic craft paint, followed by the turpenoid wash and Dullcoat. The roof got a prime coat of Krylon dark gray auto primer, followed by dark gray craft paint, Pan Pastels, and a light sealer coat of Dullcoat.

I mounted the finished station on a piece of black gatorboard to bring the platform height up to proper level with the track.

Test-fit in place on the layout:

 


All-in-all, I’m pretty satisfied with how the station turned out, considering its origins.

On to the next project!

Scenery Update 6-18

The on-going scenery project begun in May 2017  involved lifting 3 bridges on the model S&NY, and was supposed to take, oh, 3-4 months, I thought. Well, the best-laid plans, etc., etc. (See prior update here.)

Slow progress has been made, however, and this week the bridges were returned to their places on the layout:

 

Repairs still need to be made to a section of the layout that got thoroughly soaked when the washer valve leaked on the first floor above, but that is also moving along as well:


The local NMRA Division is planning an open-house type event in October, so I hope to have trains running again well before that. We shall see…

 

NMRA MidCentral Region Convention 2018

(This article originally appeared in the Division 12, MCR’s newsletter “Builder’s Plate”)

Cincinnati Express MCR 2018 Convention report:

With great excitement and a little trepidation, I (along with our Division 12 superintendent) recently attended the 2018 MidCentral Region convention in Cincinnati, OH May 17-20, 2018. The convention was held in the newly-renovated Cincinnati Marriot North, which was an excellent venue for a convention.
Having never before attended an NMRA convention of any size, I was nearly overwhelmed by the event organized by Division 7.  65 open layouts, 35 of which have been published, 10 in Great Model Railroads; op sessions Thursday and Friday nights, Saturday morning, and Sunday morning; bus tours to said layouts; industry tours; 3 days of clinics; model and photo contests; Saturday evening banquet with Gerry Leone as the speaker; the choices were mind-boggling, and one could literally not see and do everything – hard choices had to be made!

I arrived in Cincinnati Wednesday evening, as things were going to kick off right away Thursday.

Thursday afternoon was a self-guided tour of Larry Bonhaus’ large N-scale layout, and Bob Lawson’s layout which showcased his many award-winning super-detailed structure models.

Bob Lawson’s Southern Railway CNO&TP Division

Being an “ops guy”, I would forgo some evening clinics for the op sessions, of course. Thursday evening I was lucky to run on Gerry Albers’ Virginian Deepwater District (http://www.deepwaterdistrict.com/). This is an amazing railroad that incorporates the Virginian Railway; with interchanges with the C&O, NYC, and Allen McClelland’s V&O. The website does not do it justice. I managed to draw two trains that ran nearly the entire length of the railroad, so I was able to truly get an appreciation for the scope of layout. The third and final run was a V&O work train, so I can check off a “bucket list” item and say I actually ran a train from the famed Virginian & Ohio.

Gerry Albers’ Virginian Deepwater District

Friday morning we did a minibus tour of several layouts, including the Eastern Logger’s modular layout, Ed Swain’s Pennsy layout, and Curt LaRue’s PRR Panhandle railroad. Friday afternoon I hit a few of the clinics presented during the day, including a roundtable discussion with the NMRA leadership including NMRA Pres. Charlie Getz, Board member Mike Brestel, VP for Special Projects Gerry Leone, Treasurer/CFO Frank Koch, and Marketing Consultant Christina Ganzer. Friday evening I returned to Curt Larue’s beautiful layout, and worked the Weirton towerman job for the entire evening. PRR steam and more PRR steam, oh my!

Curt LaRue’s PRR Panhandle Division

Saturday morning I attended a clinic for neophyte contest judges, and then immediately we set to work evaluating the numerous models in the contest room. This process took most of the remaining morning and into Saturday afternoon. I will have more detail about how the contest and judging process works at a future Division meeting or in this newsletter.
Saturday evening was spent at the reception, with string music provided by N-scaler and Cincinnati Civic Orchestra director Larry Bonhaus and his wife; followed by the banquet. The keynote speaker was NMRA VP and Model Railroad Video host Gerry Leone, who regaled the attendees with tales of his prior adventures in the advertising business, including hilarious clips of radio spots for various products, including milk.

The last event was a Sunday morning op session on Bob Bartizek’s O-scale hi-rail PRR layout. Luckily this railroad was on the route home north of Cincinnati, as by this time I was dead-beat from all the activity. It was worth the stop, however, as I had my doubts about how a “toy” 3-rail layout would work in an op session. The answer was “amazingly well”. It helps, of course, that the railroad is huge, befitting the size of the rolling stock; but those O-scale locomotives can conceal some really big speakers, and the sound of double-headed O-scale PRR L1 Mikados pounding upgrade with a long coal drag quickly made one forget there was a third rail running down the middle of the track.

At nearly 370 attendees, this convention was probably rivaled only by the national NMRA convention in scope, and I would guess the “average” regional is much smaller and less overwhelming. Even so, “a lot of fun” is inadequate to describe the experience, and I’m looking forward to attending more such events in the future, large or small. I would encourage any NMRA members to do the same. You won’t regret it!